Browse Items (128 total)

This statement appears at the beginning of the physical "Rostros y Almas/Faces and Souls" exhibit. It provides biographical information about Mary Jessie Garza, the photographer of the exhibit. The document also includes an Acknowledgements section.

The curatorial statement appears at the beginning of the physical "Rostros y Almas/Faces and Souls" exhibit. It indicates the scope of the exhibit and the inspirations behind it.

The curatorial statement appears at the beginning of the physical "Rostros y Almas/Faces and Souls" exhibit. It indicates the scope of the exhibit and the inspirations behind it.

It is speculated that Mary Visser collected these notes from Lidia and Cynthia Pérez's resumes. Together, the sisters founded a restaurant and non profit organization called La Peña.

The chart is a list of categories that the subjects of the "Rostros y Almas; Faces and Souls" participants were placed under, as well as a description of a number of participants.

The memorandum is a letter to Carole Lee from Mary Visser explaining the series of events that the "Rostros y Almas; Faces and Souls" exhibition.

The Memorandum is from Mary Visser to Barbara Sappington. Mary Visser is contacting Cynthia Orozco but she is doing so through Sappington. In the memorandum Visser thanks Orozco for her consultation work on the project.

Portrait of Aida Barrera

Photograph of Amalia Rodriguez-Mendoza

Photograph of Ana Maria Coronado Perez