Browse Items (128 total)

The curatorial statement appears at the beginning of the physical "Rostros y Almas/Faces and Souls" exhibit. It indicates the scope of the exhibit and the inspirations behind it.

This statement appears at the beginning of the physical "Rostros y Almas/Faces and Souls" exhibit. It provides biographical information about Mary Jessie Garza, the photographer of the exhibit. The document also includes an Acknowledgements section.

This statement appears at the beginning of the physical "Rostros y Almas/Faces and Souls" exhibit. It provides biographical information about Mary Jessie Garza, the photographer of the exhibit. The document also includes an Acknowledgements section.

The postcard is from Las Manitas Avenue Cafe. The cafe was co-owned by sisters Lidia and Cynthia Pérez, two of the women displayed in the exhibit. It contains a personal message from one of the sisters to Lupita Barrera Bryant. The front of the…

The cover letter is from Hunatés written to Dr. Mary Visser. Huantés is the Executive Director of the San Antonio Literacy Council.

The postcard is an invitation to "Los Niños y el Mundo"an art exhibit hosted by La Pena displaying student's artwork from Metz elementary school in Austin, Texas.

It is speculated that Mary Visser collected these notes from Lidia and Cynthia Pérez's resumes. Together, the sisters founded a restaurant and non profit organization called La Peña.

The newspaper clipping details some of Margarita Munoz Simon's accomplishments and activist positions in the Austin community. The clipping contains two photos of Munoz Simon and her work with broadcasting radio stations in 1950 and 1983. The article…

The document lists Ruby Nelda Perez's theatrical work. Some of the information contained in the document is a description of a play she performed in, theater groups she was involved with, and awards she has received.

This is a head shot that was submitted with Ruby Pérez's resume. It is presumably part of her acting portfolio.