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                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
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                <text>Margarita R. Huantés's Cover Letter for Resume </text>
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                <text>The cover letter is from Hunatés written to Dr. Mary Visser. Huantés is the Executive Director of the San Antonio Literacy Council.  </text>
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                <text>Margarita R. Huantés </text>
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                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
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                <text>Newspaper Clipping: Fiestas Patrias Honors La Senora Munoz Simon </text>
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                <text>The newspaper clipping details some of Margarita Munoz Simon's accomplishments and activist positions in the Austin community. The clipping contains two photos of Munoz Simon and her work with broadcasting radio stations in 1950 and 1983. The article was written by Marty Levy and issued on September 9, 1983. Levy writes about Munoz Simon’s early life and how she came to Austin from Eagle Pass with her husband back in 1946. Munoz Simon started a Spanish newsletter called “El Democratico,” but closed it down after her husband left for the army and she found it difficult to find people who wrote or spoke Spanish. She then transferred over to radio and stayed there for over thirty years hosting programs that were also accessible to the Hispanic community of Austin. &#13;
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                <text>Marty Levy </text>
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                    <text>Descriptions of "Rostros y Almas/Faces and Souls" Exhibtion</text>
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                    <text>The following document is a collection of descriptions used under the portraits of those women included in the "Rostros y Almas/Faces and Souls" Exhibition. Each description has been transcribed in Spanish and English to show case the importance of bilingual usage in Mexican-American Culture.</text>
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                <text>Descriptions of Photos from "Rostros y Almas/Faces and Souls"</text>
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            <name>Description</name>
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                <text>The following document is a collection of descriptions used under the portraits of those women included in the "Rostros y Almas/Faces and Souls" Exhibition. Each description has been transcribed in Spanish and English to show case the importance of bilingual usage in Mexican-American Culture.</text>
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                <text>Mary Jessie Garza</text>
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                <text>Mary Jessie Garza Exhibit Slide Negatives</text>
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                <text>These negative slides are from the film that was taken by Mary Jessie Garza. Garza is a native of San Antonio and was invited to be the photographer for the “Rostros y Almas/ Faces and Souls” exhibit by Mary Visser. The black and white slides are labeled with the dimensions of the printed photographs that hang in the exhibit. All of the portraits that are a part of the exhibit can be found amongst these slides.  These negative slides demonstrate the technology that was used to produce a photography exhibit in the historical moment of the early 1990s.&#13;
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                  <text>Research and Correspondence in Preparation for "Rostros y Almas/Faces and Souls"</text>
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                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
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                  <text>Various creators and contributors </text>
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                <text>The document is a list of references for Mary Jessie Garza that were used as a biography for the subjects of the "Rostros y Almas; Faces and Souls" exhibition.</text>
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