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                  <text>Research and Correspondence in Preparation for "Rostros y Almas/Faces and Souls"</text>
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                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
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                  <text>Various creators and contributors </text>
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                <text>Newspaper Clipping: Fiestas Patrias Honors La Senora Munoz Simon </text>
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                <text>The newspaper clipping details some of Margarita Munoz Simon's accomplishments and activist positions in the Austin community. The clipping contains two photos of Munoz Simon and her work with broadcasting radio stations in 1950 and 1983. The article was written by Marty Levy and issued on September 9, 1983. Levy writes about Munoz Simon’s early life and how she came to Austin from Eagle Pass with her husband back in 1946. Munoz Simon started a Spanish newsletter called “El Democratico,” but closed it down after her husband left for the army and she found it difficult to find people who wrote or spoke Spanish. She then transferred over to radio and stayed there for over thirty years hosting programs that were also accessible to the Hispanic community of Austin. &#13;
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                <text>Marty Levy </text>
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                <text>1983 </text>
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                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
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              <name>Creator</name>
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                  <text>Various creators and contributors </text>
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                  <text>Dates of materials range from the 1970s to the 1990s </text>
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                <text>Notes on the achievements of Lidia and Cynthia Pérez </text>
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                <text>It is speculated that Mary Visser collected these notes from Lidia and Cynthia Pérez's resumes. Together, the sisters founded a restaurant and non profit organization called La Peña. </text>
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                <text>Mary Visser </text>
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                <text>Unknown </text>
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                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Various creators and contributors </text>
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              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>Dates of materials range from the 1970s to the 1990s </text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Invitation to La Peña Art Exhibit </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1992</text>
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            <description>An account of the resource</description>
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                <text>The postcard is an invitation to "Los Niños y el Mundo"an  art exhibit hosted by La Pena displaying student's artwork from Metz elementary school in Austin, Texas. </text>
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                  <text>Research and Correspondence in Preparation for "Rostros y Almas/Faces and Souls"</text>
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              <description>An account of the resource</description>
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                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Various creators and contributors </text>
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                  <text>Dates of materials range from the 1970s to the 1990s </text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                <text>Margarita R. Huantés's Cover Letter for Resume </text>
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                <text>The cover letter is from Hunatés written to Dr. Mary Visser. Huantés is the Executive Director of the San Antonio Literacy Council.  </text>
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                <text>Margarita R. Huantés </text>
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                <text>1991</text>
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                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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              <name>Date</name>
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                  <text>Dates of materials range from the 1970s to the 1990s </text>
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                <text>Las Manitas Angel Holiday Card</text>
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                <text>The postcard is from Las Manitas Avenue Cafe. The cafe was co-owned by sisters Lidia and Cynthia Pérez, two of the women displayed in the exhibit. It contains a personal message from one of the sisters to Lupita Barrera Bryant. The front of the postcard depicts a little girl dressed as an angel, holding a candle. The back contains the message: “Feliz Navidad y Prospero Ano Nuevo” or “Merry Christmas and Happy New Year, Las Manitas Cafe.” It was previously noted by Mary Visser that Lidia’s area of expertise was in business and finance, while Cynthia was recognized for establishing Las Manitas Restaurant in Austin. Cynthia also founded “La Pena,” a community arts and culture non-profit, whose headquarters were at Las Manitas until it closed down. It is also noted by Mary Visser in&lt;a href="http://latinahistoryproject.omeka.net/items/show/116" target="_blank"&gt; “Notes on the Achievements of Lidia and Cynthia Pérez”&lt;/a&gt; that Las Manitas Restaurant “survived two economic depressions,” a testimony to the sisters’ hard work and “excellent food.”</text>
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                <text>Lidia Pérez, Cynthia Pérez</text>
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                <text>1991</text>
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                  <text>Portraits of Mujeres: Subjects in the "Rostros y Almas/Faces and Souls" Photography Exhibit by Mary Jessie Garza</text>
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                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
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