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                    <text>2/16/2017

Unboxing the Buried Seeds of My Belonging | Anthropology­News



Unboxing the Buried Seeds of My Belonging
Association of Latina and Latino Anthropologists
Tori Vasquez 
Brenda Sendejo

Latina/o History, Decolonized Pedagogies and the Politics of Inclusion
“We, students, deeply internalized the limited exposure and hidden space allotted to vitally important alternative histories on campus.”
Anthropologists committed to decolonizing anthropology rely on anthropological perspectives to promote change and deepen understandings of difference. This
piece considers historical recovery through this lens and its impact on students involved in a student­faculty research project at Southwestern University (SU). We
consider how methods like oral history call attention to previously under­told histories that constitute various identities in order to promote belonging.

SLIDESHOW
5 PHOTOS



Brenda Sendejo and Tori Vasquez in the recording studio. Photo courtesy Charlotte Nunes.

This work is particularly meaningful in the context of our current social climate of frequent and severe attacks on difference. We consider how the recovery and telling
of stories might facilitate inclusion and inspire positive change, from the perspectives of a student (Tori Vasquez) and a professor (Brenda Sendejo) reflecting on
their participation in the Latina History Project (LHP), aimed at enhancing undergraduate education and increasing awareness about Latina/o and Chicana/o history
in Central Texas. Brenda Sendejo reflects on her commitment to decolonizing anthropology in her role as a teacher­scholar at SU:
Brenda Sendejo (BS): As a Chicana feminist anthropologist, I am invested in the possibilities for decolonial praxis (to borrow from Karen Mary Davalos’ 2013 ALLA
Column). I am concerned with how students navigate structural inequalities within the context of institutions of higher learning and how to meld theory and practice
in order to facilitate inclusive learning. A desire to implement such decolonizing pedagogies inspired the creation of the LHP. The project was originally a historical

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recovery project, but has accomplished much more. Its holdings include oral histories from prominent Texas Chicana/o Movement activists and members of the SU’s
community, as well as materials related to an exhibition that highlighted the contributions of path­breaking Texas Mexican American women in politics, the cultural
arts, spiritual activism, education and Chicana feminism. LHP researchers Tori Vasquez, Adriana Romero, Stephanie Garcia, Denise Ovalle and Digital Humanities
Fellow Charlotte Nunes have worked diligently in their efforts to un­silence the past.

SLIDESHOW
5 PHOTOS



Irma Rangel. Photo courtesy Latina History Project Papers, Special Collections, Southwestern University

Tori Vasquez offers her perspective on her experience:

Unpacking the exhibit materials was an awakening: my history became a part of my education.

Tori Vasquez (TV): The experiences of the Latinas featured in the LHP resonated with us, the student researchers. Their lives reassured us that their experiences
and ours should be valued, and more importantly, that these stories matter and belong. We drew strength from the ability to recognize ourselves in the project’s
content and relate to it. LHP archival materials are drawn from the “Rostros y Almas/Faces and Souls” exhibit, curated for the annual Brown Symposium. The 1992
Symposium, “Discoveries of the Americas”, explored intersecting meanings of “America” and lasting impacts of colonization and marginalization on peoples of the
Americas. Since 1992, the exhibit has been on display, tucked away on the second story of a campus building. We, the students, deeply internalized the limited
exposure and hidden space allotted to vitally important alternative histories on campus. The stories deserved more exposure than in a dimly lit hallway. The many
boxes of materials that accompanied the exhibit have been stored since 1992. The LHP team learned of their existence in 2014 and began the process of not only
physically unpacking this history, but bringing the materials back to life. We digitized the physical exhibit and processed roughly 100 of the primary source materials,
that pertained to the planning and execution of it and the lives of the influential Latinas, then uploaded the collection to the Latina History Project website. We
incorporated this knowledge into our lives and campus environment to demonstrate the value of exposing alternative histories not only as remnants of the past, but
as catalysts for change in the present.
The process of building the online exhibit and learning about Latina history, and its intersection with SU’s own institutional history, taught us about issues relating to
space, inclusion and the value in knowing one’s history. In the beginning, these materials were like buried seeds. In order to combat historical silences around
Latina experiences, we worked to cultivate and make visible these previously silenced stories and experiences.
Unpacking the exhibit materials was an awakening: my history became a part of my education. The women in the exhibit tienen ganas y sueños, have wants and
dreams with strong ties to the past and desires for a better future. They shifted my understanding of what is deemed “relevant” history. Some Chicana movimiento
participants stated that it was healing for them to share their experiences of fighting for gender and racial equality, yet I don’t think they realized what it meant to me
to hear their stories. Generations that preceded student activists like myself went through similar struggles to create change. This knowledge allowed me to heal and
in this process I finally realized I belong.

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Unboxing the Buried Seeds of My Belonging | Anthropology­News

Feeling silenced and a hunger for belonging are not experiences exclusive to Chicanas and Latinas. Therefore, we interviewed a group of non­Latina/o students,
alumni, staff and faculty whose experiences illuminated intersections of marginalization. While spotlighting Latina history is important, so too is the connection
between shared experiences. Indeed, belonging and inclusion were themes in several of these oral histories that connect people across differences.

SLIDESHOW
5 PHOTOS



Martha P. Cotera. Photo courtesy Latina History Project Papers, Special Collections, Southwestern University

The Latina History Project shifted the way I see others and myself. Chicana activists worked to increase representation of underrepresented groups in politics, law
and the arts, helped to increase gender and racial equality in bilingual and higher education, and paved the way for future generations to succeed in arenas
previously unavailable to them. They impacted society and that is what I want in my education. That is what it means to me to have relevance and a presence in
history. By making visible this history, the LHP invokes a sense of continuity and a historical legacy, one that can instill a sense of home in future SU students.
BS: Through the LHP, Tori and the other students have provided me with a deepened understanding of the politics of representation. They showed me that
silencing functions to exclude some experiences and privilege others and how this becomes internalized as a result. One of the most palpable moments in my
teaching career came when Tori explained to me that it is one thing to be welcomed somewhere, and a whole other to belong.
 
Tori Vasquez is an alumus of the Southwestern University Latin American/Border Studies Program, currently working for Teach for America.
Brenda Sendejo is associate professor of anthropology at Southwestern University, where she co­directs SU’s Latina History Project with associate professor of
Feminist Studies, Alison Kafer.
Diane Garbow (Temple University) and Margaret Dorsey (University of Texas Rio Grande Valley) are contributing editors of ALLA’s column in AN.

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                <text>Tori Vasquez is an alumus of the Southwestern University Latin American &amp; Border Studies Program.&#13;
Brenda Sendejo is Associate Professor/Chair of Feminist Studies at Southwestern University, where she directs SU’s Latina History Project.&#13;
Diane Garbow (Temple University) and Margaret Dorsey (University of Texas Rio Grande Valley) are contributing editors of ALLA’s column in AN.&#13;
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Tori Vasquez is an alumus of the Southwestern University Latin American/Border Studies Program, currently working for Teach for America. &#13;
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Brenda Sendejo is associate professor of anthropology at Southwestern University, where she co-directs SU’s Latina History Project with associate professor of Feminist Studies, Alison Kafer. &#13;
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Diane Garbow (Temple University) and Margaret Dorsey (University of Texas Rio Grande Valley) are contributing editors of ALLA’s column in AN.&#13;
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	For Aurora E. Orozco, the Spanish language seeps into every artery of the Latina/o experience. In "Dejar Mi Idioma Jamás," the first of her five essays, Orozco explores the potential impacts of the recent laws proposed in the Senate. These laws would outlaw the use of languages other than English by American citizens. For Latina/o Americans, Spanish is a fundamental part of their identity. Orozco discusses this through personal interactions with those that have attempted to take her lingual identity by force. She describes the heritage that it represents for her, a lineage that connects her to both her ancestors and her descendants. It is a spiritual connection that provides a sense of continuity between generations. She presents the religious nature of the Spanish language, as a sanctuary in which Latino/as may escape the oppression inflicted on them by the English language and those that would use it against them. The removal of which would leave them vulnerable to their oppressors. She then looks to recent United States’ legal history, Thomas Jefferson, and others throughout the country’s existence that have given support to Latina/os. Through this history, she sees the space that it has provided and will continue to provide for the safety of the Latina/o identity in the United States.&#13;
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                <text>Dejar mi idioma jamás&#13;
&#13;
Parece que varios Senadores Anglos tienen en proyecto el pasar una ley para que la idioma Inglés sea la única que se hable en E. Unidos. Está encabezado por el Senador Steve Symns Republicano de Idaho. Si esto sucediera será muy triste para los hispanos, es como si nos cortaron el brazo derecho, sentiríamos incompletos. Es nuestro idioma la que hablaron nuestros antepasados y no la dejaron, es nuestra herencia está bien arraigada en nuestro corazón. La oímos en la casa, Iglesia, escuela, tele, y fiestas. Que piensan hacer con nuestra gente que no habla inglés. No me refiero a los ilegales, sino ha cientos de personas ancianos y jóvenes que nunca fueron a la escuela. No porque no hayan querido ir, sino porque sí les negó la educación. Otros porque fueron ignorados y discriminados por las maestros Anglos. Yo fui una de esas cuando iba ha la escuela. Tenía una maestra, la Sra. White, casi todas las tardes me dejaba en el cuarto después de clase. Me pegaba en mis manos con una tripa de hule colorada hasta que quería verter la sangre, pero nunca me pudo quitar de que hablara mi idioma español. Aprendí muy bien el inglés, pero mi idioma es algo muy mío, herencia que me dejaron mis padres, yo se los dejo ha mis hijos y nietos. &#13;
&#13;
II	Que piensan hacer con todas las personas que pasan sus días oyendo el radio y viendo sus novelas en español. Es lo que le da sabor ha su vida, especialmente en los Pueblos chicos en donde son tan discriminados por allí viven más Anglos y ellos son los que mondan. Ojalá y que estos Senadores no se salgan con la suya, sería muy terrible para nuestra gente. Dicen que si no hablan Inglés, que se vayan para México, pero porque si aquí nacieron, sus antepasados eran de aquí de esta tierra. Thomas Jefferson, el autor de la Constitución no vio ningún peligro en la idioma español para que se hiciera una enmienda en la Constitución en el futuro. Él hablaba seis idiomas y una de ellas era español. Existe el documento que es el “Tratado de Guadalupe Hidalgo Feb. 2, 1848.” En este documento firmado por E. Unidos y México garantiza las propiedades, derechos, y la cultura de la población nativa. Ahora tenemos muchos de nuestras hispanas que terminan el Highschool, colegios Universidades y tenemos Senador Representante; abogados, doctores, ingenieros, profesores, maestros, químicos y mujeres y hombres en posiciones muy importante, Así estos seis Senadores nos quieren quitar nuestra idioma solo que hagan lo que hicieron los Alemanes con la Judios en la Segundo Guerra mundial juntarnos y matarnos para destruir nuestra cultura y idioma.&#13;
&#13;
Aurora E. Orozco&#13;
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                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
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                <text>This is a poem by Aurora E. Orozco titled Un dia en La Pisca de Algodon. </text>
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                <text>A poem based on two experiences, one as a child and the other as a grown woman, in which Aurora Orozco was prohibited from speaking Spanish.</text>
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                    <text>This calendar, the center's initial project,  features sketches and brief descriptions of twelve Chicano/as who have contributed to the development of the Mexican-American community and culture. Featured persons: Felipe Martinez, Hermelinda Rodriguez, Richard Moya, Alfonso Ramos, Gabriel Gutierrez, Jr., Margarita Simon (Muñoz), Gustavo L. Garcia, George I. Sanchez, Paul Tovar, Marcelo Tafoya, Raul Guerrero, and Norma Louisa Govea Guerra.</text>
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                <text>This bilingual calendar was issued by the Austin Chicano Cultural Center in 1973. It features sketches and brief descriptions of twelve Chicano/as detailing their many accomplishments. Featured persons: Felipe Martinez, Hermelinda Rodriguez, Richard Moya, Alfonso Ramos, Gabriel Gutierrez, Jr., Margarita Simon (Muñoz), Gustavo L. Garcia, George I. Sanchez, Paul Tovar, Marcelo Tafoya, Raul Guerrero, and Norma Louisa Govea Guerra. The woman featured here, Margarita Simon, is also part of the “Rostros y Almas/Face and Souls” exhibit which is on permanent display here at Southwestern University. Being that it was the Austin Chicano Cultural Center’s initial project (according to a foreword in the calendar), the calendar served many purposes. Not only was it used to showcase individuals who had contributed to the development of the Mexican-American community, but also, according to the calendar’s foreword, the calendar invited everyone “to participate in [the Center’s] activities and help in designing... programs which best meet the needs of the Austin Chicano Community.” </text>
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                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
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                <text>A Newspaper Clipping: "Keeper of Culture Wins Honor"  </text>
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                <text>“Keeper of culture wins honor” is a newspaper article printed by the Austin American-Statesman on September 15, 1983. September 15th begins the month long recognition of Hispanic Heritage Month, with the following day being “Diez y Sies”, Mexican Independence Day. The article features Margarita Munoz Simon because of her dedication to the preservation of Mexican culture. The newspaper clipping describes how her efforts were to be honored by the Hispanic community at the 1983 annual Diez y Seis celebration that takes place in Austin. Most of the work that Simon partook in was related to the radio. However she has always been very involved in community unification especially in regards to serving the Latin American people in terms of cultural or political activity. The article highlights her passion towards the dignity and knowledge that comes from one’s home and culture. It is most likely that for these reasons she was selected by Bryant and Visser to be a part of their “Rostros y Almas/ Faces and Souls” exhibit. </text>
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                <text>Bill Valdez </text>
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                  <text>Portraits of Mujeres: Subjects in the "Rostros y Almas/Faces and Souls" Photography Exhibit by Mary Jessie Garza</text>
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                  <text>This 1992 photography exhibit of influential Central Texas Latinas was co-curated by Professor Mary Visser (Fine Arts, Southwestern University) and Lupita Berrera Bryant. Mary Jessie Garza, San Antonio photographer, was commissioned by Southwestern to take the photographs, which uncover the identities and honor the impact of these women on their communities.  The exhibit was planned to coincide with the 1992 Southwestern University Brown Symposium, which brought together speakers on the theme "Discoveries of America."  The exhibit ran from January 8 to February 6, 1992 in the Alma Thomas Fine Arts Gallery.  It remains on display on the second floor of the Olin Building at Southwestern University.</text>
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                <text>Tejana Exhibit Criteria </text>
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                <text>Cynthia E. Orozco </text>
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                  <text>Dates of materials range from the 1970s to the 1990s </text>
                </elementText>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>Spanish and English </text>
                </elementText>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="108">
                <text>San Antonio Newspaper Article on Minerva Lopez </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="109">
                <text>This is a newspaper article that discusses Minerva Lopez' contributions to the educational system in San Antonio.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="110">
                <text>Frank Trejo</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="111">
                <text>The San Antonio Light</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="112">
                <text>Unknown</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="113">
                <text>Frank Trejo</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="114">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="10" public="1" featured="0">
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      <file fileId="10">
        <src>https://latinahistoryproject.southwestern.edu/files/original/d6464b5621f9a9f7c6e3dc3322d3a6f6.pdf</src>
        <authentication>482666c14d4646b20688cec467b12f5c</authentication>
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5">
                  <text>Research and Correspondence in Preparation for "Rostros y Almas/Faces and Souls"</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="6">
                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7">
                  <text>Various creators and contributors </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <elementText elementTextId="8">
                  <text>Dates of materials range from the 1970s to the 1990s </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9">
                  <text>Spanish and English </text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="44">
                <text>Tejana Exhibit Criteria </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="45">
                <text>The Tejana Exhibit Criteria is an email from Cynthia E. Orozco to Lupita Barrera Bryant. The email is a review of Bryant's plans for the exhibit with Orozco's comments and suggestions. Orozco comments on the criteria plans that Bryant has while making in insightful observations and clarifications of who should be represented and who the audience is. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="46">
                <text>From Cynthia E. Orozco to Lupita Barrera Bryant</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47">
                <text>August 14, 1991</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
