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                  <text>Research and Correspondence in Preparation for "Rostros y Almas/Faces and Souls"</text>
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                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
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                  <text>Various creators and contributors </text>
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                  <text>Dates of materials range from the 1970s to the 1990s </text>
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                <text>Headshot of Ruby Nelda Pérez </text>
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                <text>This is a head shot that was submitted with Ruby Pérez's resume. It is presumably part of her acting portfolio. </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Al Rendon</text>
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                <text>Unknown </text>
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                  <text>Research and Correspondence in Preparation for "Rostros y Almas/Faces and Souls"</text>
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                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
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                  <text>Various creators and contributors </text>
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                  <text>Dates of materials range from the 1970s to the 1990s </text>
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                <text>Dejar Mi Idioma Jamás (Never Abandon My Language)</text>
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                <text>To the right, a PDF file of Aurora E. Orozco’s original handwritten document is available for free download. Below this item’s description, you will find a direct transcript of the text.&#13;
&#13;
	For Aurora E. Orozco, the Spanish language seeps into every artery of the Latina/o experience. In "Dejar Mi Idioma Jamás," the first of her five essays, Orozco explores the potential impacts of the recent laws proposed in the Senate. These laws would outlaw the use of languages other than English by American citizens. For Latina/o Americans, Spanish is a fundamental part of their identity. Orozco discusses this through personal interactions with those that have attempted to take her lingual identity by force. She describes the heritage that it represents for her, a lineage that connects her to both her ancestors and her descendants. It is a spiritual connection that provides a sense of continuity between generations. She presents the religious nature of the Spanish language, as a sanctuary in which Latino/as may escape the oppression inflicted on them by the English language and those that would use it against them. The removal of which would leave them vulnerable to their oppressors. She then looks to recent United States’ legal history, Thomas Jefferson, and others throughout the country’s existence that have given support to Latina/os. Through this history, she sees the space that it has provided and will continue to provide for the safety of the Latina/o identity in the United States.&#13;
&#13;
&#13;
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                <text>Dejar mi idioma jamás&#13;
&#13;
Parece que varios Senadores Anglos tienen en proyecto el pasar una ley para que la idioma Inglés sea la única que se hable en E. Unidos. Está encabezado por el Senador Steve Symns Republicano de Idaho. Si esto sucediera será muy triste para los hispanos, es como si nos cortaron el brazo derecho, sentiríamos incompletos. Es nuestro idioma la que hablaron nuestros antepasados y no la dejaron, es nuestra herencia está bien arraigada en nuestro corazón. La oímos en la casa, Iglesia, escuela, tele, y fiestas. Que piensan hacer con nuestra gente que no habla inglés. No me refiero a los ilegales, sino ha cientos de personas ancianos y jóvenes que nunca fueron a la escuela. No porque no hayan querido ir, sino porque sí les negó la educación. Otros porque fueron ignorados y discriminados por las maestros Anglos. Yo fui una de esas cuando iba ha la escuela. Tenía una maestra, la Sra. White, casi todas las tardes me dejaba en el cuarto después de clase. Me pegaba en mis manos con una tripa de hule colorada hasta que quería verter la sangre, pero nunca me pudo quitar de que hablara mi idioma español. Aprendí muy bien el inglés, pero mi idioma es algo muy mío, herencia que me dejaron mis padres, yo se los dejo ha mis hijos y nietos. &#13;
&#13;
II	Que piensan hacer con todas las personas que pasan sus días oyendo el radio y viendo sus novelas en español. Es lo que le da sabor ha su vida, especialmente en los Pueblos chicos en donde son tan discriminados por allí viven más Anglos y ellos son los que mondan. Ojalá y que estos Senadores no se salgan con la suya, sería muy terrible para nuestra gente. Dicen que si no hablan Inglés, que se vayan para México, pero porque si aquí nacieron, sus antepasados eran de aquí de esta tierra. Thomas Jefferson, el autor de la Constitución no vio ningún peligro en la idioma español para que se hiciera una enmienda en la Constitución en el futuro. Él hablaba seis idiomas y una de ellas era español. Existe el documento que es el “Tratado de Guadalupe Hidalgo Feb. 2, 1848.” En este documento firmado por E. Unidos y México garantiza las propiedades, derechos, y la cultura de la población nativa. Ahora tenemos muchos de nuestras hispanas que terminan el Highschool, colegios Universidades y tenemos Senador Representante; abogados, doctores, ingenieros, profesores, maestros, químicos y mujeres y hombres en posiciones muy importante, Así estos seis Senadores nos quieren quitar nuestra idioma solo que hagan lo que hicieron los Alemanes con la Judios en la Segundo Guerra mundial juntarnos y matarnos para destruir nuestra cultura y idioma.&#13;
&#13;
Aurora E. Orozco&#13;
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                <text>Aurora E. Orozco</text>
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                <text>Spanish</text>
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                  <text>Research and Correspondence in Preparation for "Rostros y Almas/Faces and Souls"</text>
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                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
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                  <text>Dates of materials range from the 1970s to the 1990s </text>
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                <text>Aurora Orozco Ensayo 2</text>
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                <text>This is a poem by Aurora E. Orozco titled Un dia en La Pisca de Algodon. </text>
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                <text>Aurora E. Orozco </text>
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              <description>An account of the resource</description>
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                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
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                  <text>Various creators and contributors </text>
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                  <text>Dates of materials range from the 1970s to the 1990s </text>
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                <text>A Newspaper Clipping: "Keeper of Culture Wins Honor"  </text>
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                <text>“Keeper of culture wins honor” is a newspaper article printed by the Austin American-Statesman on September 15, 1983. September 15th begins the month long recognition of Hispanic Heritage Month, with the following day being “Diez y Sies”, Mexican Independence Day. The article features Margarita Munoz Simon because of her dedication to the preservation of Mexican culture. The newspaper clipping describes how her efforts were to be honored by the Hispanic community at the 1983 annual Diez y Seis celebration that takes place in Austin. Most of the work that Simon partook in was related to the radio. However she has always been very involved in community unification especially in regards to serving the Latin American people in terms of cultural or political activity. The article highlights her passion towards the dignity and knowledge that comes from one’s home and culture. It is most likely that for these reasons she was selected by Bryant and Visser to be a part of their “Rostros y Almas/ Faces and Souls” exhibit. </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Bill Valdez </text>
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                <text>September 15, 1983</text>
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              <description>An account of the resource</description>
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                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
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                  <text>Various creators and contributors </text>
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                  <text>Dates of materials range from the 1970s to the 1990s </text>
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                <text>San Antonio Newspaper Article on Minerva Lopez </text>
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                <text>This is a newspaper article that discusses Minerva Lopez' contributions to the educational system in San Antonio.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="110">
                <text>Frank Trejo</text>
              </elementText>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="111">
                <text>The San Antonio Light</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="112">
                <text>Unknown</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="113">
                <text>Frank Trejo</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="114">
                <text>English</text>
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        </elementContainer>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Research and Correspondence in Preparation for "Rostros y Almas/Faces and Souls"</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7">
                  <text>Various creators and contributors </text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>Dates of materials range from the 1970s to the 1990s </text>
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            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>Spanish and English </text>
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    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Tejana Exhibit Criteria </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="45">
                <text>The Tejana Exhibit Criteria is an email from Cynthia E. Orozco to Lupita Barrera Bryant. The email is a review of Bryant's plans for the exhibit with Orozco's comments and suggestions. Orozco comments on the criteria plans that Bryant has while making in insightful observations and clarifications of who should be represented and who the audience is. </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="46">
                <text>From Cynthia E. Orozco to Lupita Barrera Bryant</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>August 14, 1991</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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        <src>https://latinahistoryproject.southwestern.edu/files/original/a13992554f44f4b88e6da932b911b9f9.pdf</src>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Research and Correspondence in Preparation for "Rostros y Almas/Faces and Souls"</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7">
                  <text>Various creators and contributors </text>
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              </elementTextContainer>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8">
                  <text>Dates of materials range from the 1970s to the 1990s </text>
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              </elementTextContainer>
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            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
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                <elementText elementTextId="9">
                  <text>Spanish and English </text>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="101">
                <text>Materials regarding Lena Guerrero of the Railroad Commission of Texas</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="102">
                <text>This piece includes an article in the Hispanic Business Magazine about Texas governors, as well as a biographical piece on Lena Guerrero, the 34th person to serve on the Texas Railroad Commission. Notes presumably from Mary Visser to Lupita Bryant are included towards the end of the piece. </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="103">
                <text>Hispanic Business </text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="104">
                <text>Office of the Railroad Commission of Texas</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>January 23, 1991</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="106">
                <text>Humberto Lopez</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="107">
                <text>English</text>
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            </elementTextContainer>
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        </elementContainer>
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  <item itemId="104" public="1" featured="0">
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        <src>https://latinahistoryproject.southwestern.edu/files/original/4f75be1e45ea2cf34370330a0ffb04bf.pdf</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="5">
                  <text>Research and Correspondence in Preparation for "Rostros y Almas/Faces and Souls"</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="6">
                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
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              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7">
                  <text>Various creators and contributors </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8">
                  <text>Dates of materials range from the 1970s to the 1990s </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9">
                  <text>Spanish and English </text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="498">
                <text>Las Manitas Angel Holiday Card</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="499">
                <text>The postcard is from Las Manitas Avenue Cafe. The cafe was co-owned by sisters Lidia and Cynthia Pérez, two of the women displayed in the exhibit. It contains a personal message from one of the sisters to Lupita Barrera Bryant. The front of the postcard depicts a little girl dressed as an angel, holding a candle. The back contains the message: “Feliz Navidad y Prospero Ano Nuevo” or “Merry Christmas and Happy New Year, Las Manitas Cafe.” It was previously noted by Mary Visser that Lidia’s area of expertise was in business and finance, while Cynthia was recognized for establishing Las Manitas Restaurant in Austin. Cynthia also founded “La Pena,” a community arts and culture non-profit, whose headquarters were at Las Manitas until it closed down. It is also noted by Mary Visser in&lt;a href="http://latinahistoryproject.omeka.net/items/show/116" target="_blank"&gt; “Notes on the Achievements of Lidia and Cynthia Pérez”&lt;/a&gt; that Las Manitas Restaurant “survived two economic depressions,” a testimony to the sisters’ hard work and “excellent food.”</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="500">
                <text>Lidia Pérez, Cynthia Pérez</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="501">
                <text>1991</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="502">
                <text>Spanish; English </text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="105" public="1" featured="0">
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        <src>https://latinahistoryproject.southwestern.edu/files/original/20bf833693e6ed1febf79ce30a92b7f6.pdf</src>
        <authentication>c66387fb810969a9b1e5b262e98eaac1</authentication>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5">
                  <text>Research and Correspondence in Preparation for "Rostros y Almas/Faces and Souls"</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="6">
                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
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              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7">
                  <text>Various creators and contributors </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8">
                  <text>Dates of materials range from the 1970s to the 1990s </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9">
                  <text>Spanish and English </text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="503">
                <text>Margarita R. Huantés's Cover Letter for Resume </text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="504">
                <text>The cover letter is from Hunatés written to Dr. Mary Visser. Huantés is the Executive Director of the San Antonio Literacy Council.  </text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="505">
                <text>Margarita R. Huantés </text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="506">
                <text>1991</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="507">
                <text>English </text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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  <item itemId="108" public="1" featured="0">
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        <src>https://latinahistoryproject.southwestern.edu/files/original/5f18b3f05363bfe14e7b7f89a1f3b781.pdf</src>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5">
                  <text>Research and Correspondence in Preparation for "Rostros y Almas/Faces and Souls"</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="6">
                  <text>This collection contains research and correspondence related to the selection of the women displayed in the exhibit. Examples of materials enclosed in this collection are newspaper articles, personal writings, photographs, and community directories articulating the work of the women. The materials belong to the collection of Mary Visser, who along with Lupita Barrera Bryant were responsible for conducting the selection process for the subjects in the exhibit. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7">
                  <text>Various creators and contributors </text>
                </elementText>
              </elementTextContainer>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8">
                  <text>Dates of materials range from the 1970s to the 1990s </text>
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            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9">
                  <text>Spanish and English </text>
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    <elementSetContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="518">
                <text>Newspaper Clipping: Fiestas Patrias Honors La Senora Munoz Simon </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="519">
                <text>The newspaper clipping details some of Margarita Munoz Simon's accomplishments and activist positions in the Austin community. The clipping contains two photos of Munoz Simon and her work with broadcasting radio stations in 1950 and 1983. The article was written by Marty Levy and issued on September 9, 1983. Levy writes about Munoz Simon’s early life and how she came to Austin from Eagle Pass with her husband back in 1946. Munoz Simon started a Spanish newsletter called “El Democratico,” but closed it down after her husband left for the army and she found it difficult to find people who wrote or spoke Spanish. She then transferred over to radio and stayed there for over thirty years hosting programs that were also accessible to the Hispanic community of Austin. &#13;
</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="520">
                <text>Marty Levy </text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="521">
                <text>1983 </text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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                <text>English </text>
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            </elementTextContainer>
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        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
